Born in Russia with Polish and French origins, Julian Lampert immigrated as a boy with his family to the United States and settled in Boston in the 1990's where he was raised and educated.
He studied piano and harmony with his mother, Prof. Elena Lampert (Moscow Conservatory). 

Julian was featured among artists and athletes in the recent book "Empowering Outperformance" by the Belgian arctic expeditionist and filmmaker Dixie Dansercoer.   

As Composer:

2017 saw the world premiere of Julian's Quintet for Flute and String Quartet, given by the Borromeo String Quartet with flutist Jelle Atema. This quintet also featured for the first time in concert performance a series of prehistoric flutes reconstructed from original materials by Mr. Atema. 

In 2016, Julian recorded his soundtrack to "Goddesses in The Loo" (directed by Jenilyn Rodriguez; due for release in 2018) in Galaxy Film Studios of Belgium.

His composition career began with Ludmila Belousova & Oleg Protopopov, the gold-medalist Olympic Figure-Skating legends; Julian composed extensively for their performance tours. His skills as composer for Film/Television/Radio spans nearly four centuries of musical styles—from Renaissance/Baroque/Classical/Romantic genres, to the most modern developments within jazz, latin, and world music. Julian has scored three documentary films. 

After his debut in Pittsburgh in 1999, Julian met Fred Rogers—creator of Mister Rogers' Neighborhood. During their subsequent friendship, Mr. Rogers inspired Julian to write music for children. Much of this music was often featured in the Music & Art workshops conducted by his mother, who founded the Lampert Center for Arts & Culture in Boston and New York.

Currently, Julian is writing a flute concerto and a cycle of lieder. 

As Performer:

At 13, Julian gave his orchestral debut as soloist with conductor Roman Totenberg, and later with Victor Rosenbaum, both in Cambridge Massachusetts. This brought him to the attention of Richard Probst—former Director of Concerts & Artists at Steinway and Vice President of Harold Shaw Concerts.  Julian received guidance from Shura Cherkassky, Dorothy Taubman, Rudolf Serkin and Eliza Hansen who selected him for a Master-Course in Germany. Under Mr. Probst's auspices, Julian performed extensively throughout the United States, Western & Eastern Europe.
Performances include:

  • Marlboro Music Festival
  • The Scotia Festival of Canada—directed by Pierre Boulez
  • Amherst College; Harpsichordist and pianist with Amherst's Bach Festival Orchestra conducted by Blanche Moyse
  • Recitals at the Hall of the Kosciuzko Foundation of New York in festivals directed by David Dubal—broadcaster and Juilliard professor
  • New York concerto debut: Beethoven's Fourth Concerto with the Symphony of Westchester—Barry Charles Hoffman, conductor
  • Bendheim Performing Arts Center—New York
  • Diamond Chateau—Presidential Palace, St. Martin, by invitation of First Lady Josianne Fleming
  • Harvard University—Paine Hall
  • French Cultural Institute of Boston
  • Woods Hole Music Festival—Cape Cod summer series
  • Concert Series of DuQuesne University—Pittsburgh
  • Russia: The Scriabin Museum, The Gnessin Academy, Moscow State University
  • Biarritz Music Festival at The Regina—France
  • Miremonde Arts Concert Series, in performance with the Kopelman String Quartet—New York

Radio and television appearances include WGBH Boston; WCVB Boston; WQED Pittsburgh; and News-12; New York.